The best Punk Albums

Best Punk Albums

In the first places I thought that I would rightly place some albums of Beatles. The people are the best show. All stage times for tomorrow at Leeds Punk Festival VI? This is one of the best post-punk albums ever made. First tribute band of Cure.


Briggs is a hardcore-punk[1]Californian melodic act founded in 2001. Briggs were born in Southern California in 2001 as a skatepunk group[4]. Originally called "I Called"[2] and renamed because the name belonged to another group, The Briggs released 3 albums and 2 EPs, almost all of which were released on the SideOneDummy Records label, and maintained a constant line-up, with the exception of bassist Duck Matthews, replaced by Ryan Roberts.

Their musical style is considered a mixture of the classic punk of The Clash, Stiff Little Fingers, Billy Bragg[2], the Street Punk of Cock Sparrer[3] and the Punk-Revival Rancid[2]. Is that what you think 2001 is? Josh Chesler, The 10 Best Ever Best Punk Albums for Skating, su, 29 Settembre 2015.

ufficial sito, su The Briggs, su AllMusic, All Media Network. The Briggs, su Discogs, Zink Media. The Briggs, su MusicBrainz, MetaBrainz Foundation. Ufficial Sito, su

ISHII PUNK SOGO YEARS 1976-1983, BURST CITY, electric dragon 80.000V

This object has been removed from the community because it violates the Content and Community of Steam guidelines. If you believe that your object has been accidentally removed, please contact . to understand why this object may not work in Steam Artwork. This content is visible only to you, the administrators, and anyone set up as the owner.

This content is only visible to you, your friends and administrators.

Best electronic albums of 2018

These playlists are not intended as a ranking with a preferred order. The electronic universe is becoming increasingly complex and heterogeneity has frayed countless streams. It is materially impossible to have an overall view in this intangible ocean, and every play list will inevitably be the result of mastery listening. The electronic world has long been the subject of streamlined sound intrusions and in some cases is beginning to yield to the formats demanded by the mass entertainment industry to channel music into commercial production channels.

However, its predominantly instrumental nature has made it possible to coagulate a system that is mainly fed from the underground and from its own production.

Mehr zum Thema