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Story of rock music. Story of Music Rock (History of Music)
The " Mersey-beat " changed the music history forever. Great Britain had a lousy music scene for all the sixties. Great Britain did not identify itself with rock and roller, did not appreciate its "rebellious" attitudes, did not enjoy its frenetic rhythms. Great Britain had an alternative scene before the United States: the Bluesclubs.
In the 1950s blue blood club's appeared all over England. London was the epicenter, but a little all the big English cities had their weekly doses of blues. Unlike its rock counterpart, which was a mere imitator, the so-called UK blue relied on real innovators to make the blue material something else.
A metamorphosis began which transformed the blue into " white " music: the epic choirs were accentuated, the rhythmic guitars of Chicago were accelerated, the sung voices were muted to make the sound more operatic, the choirs were bent, the organ arrangements were amplified and the vocal harmonies added. For a few years, however, English musicians played something that was deeply felt, like American blue, but with a power that no one else on earth had.
In the early sixties, veterans of this scene, or disciples if you will, lead to the formation of bands like the Rolling Stones, Yardbirds and Animals. From their ashes two blue bands, Cream and Zeppelin, emerged, which revolutionized rock music again in a few years.
There was no alternative scene, but a handful of commercial groups. The clean, smiling faces of the guys from livepool formed a bitter contrast to the animalism of the wild blue of the undergrounds. Beatlemania stole the moment of grace that blue music experienced and soon knew how to turn this music into a mass attraction.
What's that? What's that? Era na t il Rock comes from the shop. The most influential groups of the second generation were the kinks and the who. Both conceptual albums and rock operas, which described English operettas in the language of rock music, were recorded. But while the kinks were offering melodic rock, the who were striving for a louder and less refined future with their insanely amplified guitars.
The Rolling Stones, The Kinks and The Who represent the mid-1960s rock triad that will influence entire generations of rock bands for decades to come. When Cream and Led Zeppelin began to play a very loud blue, they paid their share of the debt. Cream's long solos and Led Zeppelin's fast riffs created the epitome of hard rock.
Impacts of UK power on the US community were tantamount to an earth quake. Children accepted guitar players in every U.S. garages and began to play music with emphasis on blue. The psychedelic movement that spread throughout the country was somehow connected with the wave of electrical rock and protest movements.
Velvet Underground and Fugs made rock and roller an intellectual operation. On the West Coast, both San Francisco and Los Angeles reacted eccentrically to the rock and roller-bombing. The city of San Francisco, which became a hippie paradise, was known for its "acid rock", and Los Angeles, whose environment had already caused countless literary and cinematographic damage, was known for its Frank Zappa and Captain Beefheart, two of the most influential musicians of the century.
Both Zappa and Beefheart recorded some of the most experimental records ever recorded, making rock and roller a serious and bigger art form. The San Francisco bands led by Jefferson Airplane and Grateful Dead used complex harmonies and improvised yams to bring rock music closer to the spiritual excesses of Jazz.
Blu Cheer and Qicksilver paved the way for the founding of Hardrock. Psychedelic rock spread throughout the country and eventually flowed to Britain. Soon America produced the doors and England the Pink Floyd, two bands whose influence will be gigantic. Texas psychedelia remained anonymous, but groups like Red Crayola were "ahead" of their time.
Detroit also stayed on the sidelines of the main round, but both the MC5 and Stooges took rock music a step further on the soundboard. The rock music booming in the United States revived the blues. Hendrix and Joplin became celebrities, and countless white musicians filled the Chicago and San Francisco nightclubs.
The band, the Creedence Clearwater revival and the Doobie brothers reached new heights when they revived the traditions of black and white music. In the south this awakening led to the formation of the " South Rock " and groups like Allman Bathers and Lynyrd Skynyrd. Nashville has always had a monopoly on Nashville but many artists have combined it with oriental meditations, improvised jazzy music and the freedom of rock.
Both Sandy Bull, Robbie Basho and John Fahey played long instrumental pieces that could compete with the ambitions of avant-garde music. In the meantime, dark music had its own metamorphosis. Soul took the form of festive music with Tamla Motown's Supremes catalogue, and rhythms and blues turned into a feverish genre, "funk", thanks to the spectacular obscenities of artists like James Brown.
Rock music in Britain took on more than a European feel, with psychedelic movements born outside the club. the most experimental rock centre. They were the most important band of the time and gave rock music a jazzy touch, which will be the inspiration for "progressive rock".
The eccentric and creative musicians born from the experience of working with machines are Robert Wyatt, David Aellen and Kevin Ayers. Their legacy will be well represented in other Canterbury bands like Henry Kow, no less creative and improvising. Progressive rock interrupted the energy of rock and replaced it with intellect.
Trafic, Jethro Tull, Family and later Roxy Music developed a mixture of soul-rock that had little in common with rock and roll: long twisted jazz accents and baroque arrangements came from the form song. The Bonzo Dog Doo Dah Band, Third Ear Band and Hawkwind created genres for which there were no names at the time (decadent comedy,) and psychedelic music.
The paradigm soon spread to continental Europe, from where the first large rock groups emerged: Magic, Art Zoyd, Univers Zero. The popular uplift of the sixties was largely the work of three groups: Pentangle, Fairport Convention and Incredible String Band. But around them lived singer/songwriters like Donovan, Cat Stevens, Nick Drake, John Martyn, Syd Barrett and Van Morrison, who set new standards of musical expression for intimate themes.
The 60s were finally the "classical" era of rock music. The most important subgenres of the rock were minted in this decade. The paradigm of rock music, understood as an "alternative" pole to commercial popular music, was established in the 1960s. Wild experiments allowed rock musicians to explore a range of musical styles that few knew before 1966.
In fact, Captain Beefheart and Velvet Underground created a different kind of rock music within rock music, a different paradigm within the new paradigm that will influence alternative musicians for decades to come. Not the giants Bob Dylan and Jimi Hendrix, but humble musicians like Captain Beefheart, Velvet Underground and Red Crayola are perhaps the true heroes of the sixties.... read more....