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Paperino Paolino Band | The official website of Paperino Paolino Band

Francesca, all right, the package arrived last week and I already consumed Pislas again. Ricky Signorini had recommended the Pauline Fathers in the monthly magazine Flash at that time, never the advice + was appreciated...)

For those who missed it twenty years ago, there's now a chance to recover; the amazing thing is how this "Pislas" hasn't lost a millimetre of its provocative power and how it's as topical now as it was in 1993 (in fact we can say with certainty that some songs may have been written yesterday); an honest record, sincere, direct, without frills, which has given time and which continues to make proselytes; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true provocative power, for all.

And he talked about us, the Paolino Donald Band about us. Not only is Pislas a big punk veined punk album, ironic, sometimes cynical, politically engaged, intelligent, funny, sometimes vulgar, direct and spontaneous; Pislas is above all the soundtrack of a period (...) the thought of a generation of high school counters (even though it wasn't yet clear what exactly), his ideals, his enemies, his fantasy and his media characters.

Pislas' pieces are satirical cartoons: they contain all the politics, the television and the costumes of the time with the right musical accompaniment. For those who were there, perhaps just a nostalgic operation, but for those who were too small then, for those who only remember the cartoons on television with the initials of Cristina D'Avena, for those who don't remember the birth of the League, for those who hadn't yet entered a porn theatre then, listening to this record will be like opening a window on a piece of history, both musical and social, of our country.

Gnanera, Pislas is a record that you love from the first listen, that never gets tired. Funny Paolino Donald, a piece in the history of punk made in Italy, also manages to send clear and decisive messages that are never trivial or predictable, and it is this originality that has made the group unique.

Francesca, all right, the package arrived last week and I already consumed Pislas again. Ricky Signorini had recommended the Pauline Fathers in the monthly magazine Flash at that time, never the advice + was appreciated...)

For those who missed it twenty years ago, there's now a chance to recover; the amazing thing is how this "Pislas" hasn't lost a millimetre of its provocative power and how it's as topical now as it was in 1993 (in fact we can say with certainty that some songs may have been written yesterday); an honest record, sincere, direct, without frills, which has given time and which continues to make proselytes; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true provocative power, for all.

And he talked about us, the Paolino Donald Band about us. Not only is Pislas a big punk veined punk album, ironic, sometimes cynical, politically engaged, intelligent, funny, sometimes vulgar, direct and spontaneous; Pislas is above all the soundtrack of a period (...) the thought of a generation of high school counters (even though it wasn't yet clear what exactly), his ideals, his enemies, his fantasy and his media characters.

Pislas' pieces are satirical cartoons: they contain all the politics, the television and the costumes of the time with the right musical accompaniment. For those who were there, perhaps just a nostalgic operation, but for those who were too small then, for those who only remember the cartoons on television with the initials of Cristina D'Avena, for those who don't remember the birth of the League, for those who hadn't yet entered a porn theatre then, listening to this record will be like opening a window on a piece of history, both musical and social, of our country.

Gnanera, Pislas is a record that you love from the first listen, that never gets tired. Funny Paolino Donald, a piece in the history of punk made in Italy, also manages to send clear and decisive messages that are never trivial or predictable, and it is this originality that has made the group unique.

Francesca, all right, the package arrived last week and I already consumed Pislas again. Ricky Signorini had recommended the Pauline Fathers in the monthly magazine Flash at that time, never the advice + was appreciated...)

For those who missed it twenty years ago, there's now a chance to recover; the amazing thing is how this "Pislas" hasn't lost a millimetre of its provocative power and how it's as topical now as it was in 1993 (in fact we can say with certainty that some songs may have been written yesterday); an honest record, sincere, direct, without frills, which has given time and which continues to make proselytes; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true punk; for all true provocative power, for all.

And he talked about us, the Paolino Donald Band about us. Not only is Pislas a big punk veined punk album, ironic, sometimes cynical, politically engaged, intelligent, funny, sometimes vulgar, direct and spontaneous; Pislas is above all the soundtrack of a period (...) the thought of a generation of high school counters (even though it wasn't yet clear what exactly), his ideals, his enemies, his fantasy and his media characters.

Pislas' pieces are satirical cartoons: they contain all the politics, the television and the costumes of the time with the right musical accompaniment. For those who were there, perhaps just a nostalgic operation, but for those who were too small then, for those who only remember the cartoons on television with the initials of Cristina D'Avena, for those who don't remember the birth of the League, for those who hadn't yet entered a porn theatre then, listening to this record will be like opening a window on a piece of history, both musical and social, of our country.

Gnanera, Pislas is a record that you love from the first listen, that never gets tired. Funny Paolino Donald, a piece in the history of punk made in Italy, also manages to send clear and decisive messages that are never trivial or predictable, and it is this originality that has made the group unique.

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